Chapter 5-8

 Chapter 5


    Telling a story has a beginning and an end point.  By discussing the subject matter in the basis of structure, the audience has a sense of time chronologically.  For the documentary project, the events are told in chronological order and give explanation for each photograph or video clip.  While every detail of the trip cannot be included due to time constraints, the main points of the trip are highlighted through a first person view.  The narration is important as it keeps track of the film's time period.  In some cases, interviews can be helpful by getting fresh takes on a particular subject.


Chapter 6


    The approach to the material in the documentary will be driven by the narrative.  This film will be an exploration of the country's offerings and cultural landmarks.  The visuals will also drive the story and keep audience engaged.  The background music can set the right tone and complement the visuals in the film.


Chapter 7


    A compare and contrast between two films is useful among films with the same subject.  "This exercise is about really seeing how these films are constructed, as opposed to just deciding if you prefer one to the other" (Bernard 109).  The opening sequence of a film contains a formal introduction.  The filmmaker expresses their purpose of making the film and connects with the audience.  A strong opening statement for a film will set up why the film is worth watching.  


Chapter 8


    A successful documentary film provides elements of surprise and informs audience through storytelling.  Chronologies are helpful through the production process.  Chronology "can help you see your story in new and unexpected ways, and can open up possibilities for nonlinear structure while providing a key tool for ensuring that you remain honest" (Bernard 129).  Historical films normally follow chronological format.  As with my documentary, the places that were visited are shown chronological.  This will give a solid structure to the film.  


Works Cited


Bernard, Sheila Curran.  2016.  Documentary Storytelling, Creative Nonfiction on Screen.  Fourth Edition.  





    




Comments

  1. Chapter 5 - So do you feel how you have your project outline, does it have a reasonable chronological order? Does the structure make sense? I know how it will begin, but am curious as to how it will close/end.

    Chapter 6 - Music is a good choice as to compliment the visuals, what about use of graphics and graphic backgrounds?

    Chapter 7 - Along with opening remarks making a strong statement, can the specific points within a film make lasting impressions? What about the close of a film? How many time have you thought or heard "I never thought it would end that way or I did see that coming?"

    Chapter 8 - Chapter 8 - Kind of what I said for chapter 7 above.

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