Chapter 20-22

 Chapter 20


    Deborah Scranton doesn't favor narration-driven pieces.  She states in narration, "you have a point of view and you get sound bites to support that point of view, versus looking for different points of view and trying to put them together to share with the viewer this multifaceted perspective" (Bernard 301).  She has a valid point.  Narrative films can include interviews with characters who have dealt with the subject matter.  These interviews will provide the audience with varying points of view.  Scranton elaborates on this narrative idea saying, "if you communicate different visceral experiences, then, in a way, you're opening a window so other people get to meet those people, versus having an agenda" (Bernard 302).  I agree with this statement.  The people describing their own experiences and events should not be tampered with.  Their experiences should be driven through facts and personal accounts.


Chapter 21


    Filmmaker Kazuhiro Soda tries to "observe the reality in front of me and make films according to my observation, not according to my preconceived ideas or agendas" (Bernard 313).  In this context, Kazuhiro lets the audience absorb the material for themselves rather than tell them how they should feel about the film.  He does not like to write or script a plan before shooting a documentary.  I feel that it is important to have plan before shooting footage.  Any film should have a clear direction in telling a story to the audience.


Chapter 22


    Orlando von Einsiedel makes his films through the use of narrative structure.  This planning stage before going to shoot a film can help a director effectively connect with his audience.  It's important that the film will be entertaining to watch to keep their attention and get the point across.  The first few minutes are crucial in a documentary.  It introduces the main points of the film through graphics and narration.  The narration doesn't need to be constant through the film, just enough to tell your point of view.  

    


Source


Bernard, Sheila Curran.  Documentary Storytelling.  Focal Press, 2016.  MBS Direct     mbsdirect.vitalsource.com/#/books/9781135015817


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